
Photographer Robert Sanger tells us of his passion for storm-photography, and offers photographers some very useful guidelines for taking pictures of the perfect storm.
Sydney Carter wrote Dance, then, wherever you may be, I am the Lord of the Dance, said he, And I'll lead you all, wherever you may be, And I'll lead you all in the Dance, said he. It could be the theme music for photographer Brian Slater's life as a dance photographer.
Setting an accurate white balance value does not have to be a matter of guesswork; thanks to the ExpoDisc tool it really is very straightforward. Simon Stafford explains.
Ben Oxley offers some advice on setting up Nikon Scan and using some of its key features.
There were approximately one million Nikon F cameras manufactured over a period of 14 years why then would anyone be interested in collecting them? The editor details the early models including one particularly rare example.
We are all guilty. No matter what part of the world we take pictures, invariably the available light is not what we want at that moment of time. We complain there is too much, not enough; it is too variable or too flat. Only when you venture out at night with a camera, do you begin to appreciate that darkness can present even more problems and hazards to the photographer. Heather Angel sheds light on the subject.
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